Chapter Books To Read Aloud With 3-6 Year Olds

Back when my daughter (now 7) was three, my husband and I hit a point where we were DESPERATE to start reading longer books aloud to her at bedtime, purely to gain a reprieve from being forced to read the same books every. Single. Night. (Her favorites were Rudyard Kipling's Rikki Tikki Tavi and Horton Hears A Who by Dr. Seuss, which were both LONG!)

Since then, although we still read plenty of picture books together, we've transitioned completely to longer books for bedtime reads. Over the last four and a half years, we've read a lot of early chapter books and younger middle grade books, and since I frequently get asked for recommendations for this age group, I thought I'd compile a post with some of our favorite read-alouds, along with suggested ages! Every kid, of course, is different, and your mileage may vary as far as what your child's interests are and what stories keep their attention. I didn't include popular read-alouds like the Harry Potter series, or other longer middle grade fiction, because we've found that in our family my daughter was only ready for longer, more complex narratives like those around age six. The books on this list are ideal for those transitional years (ages 3-6, roughly), where kid and parent are ready for something more than picture books, but not quite ready to visit Hogwarts or Narnia.

The age ranges I've specified here are for the youngest ages the books would likely appeal to. Of course, they're great for bigger kids too—and some of these are ones we've read multiple times as my daughter has grown!

A couple of pointers before we dive into the reading list:

• Chapter books are not that important for literacy at such a young age, so if your kid isn't ready for them, don't force it! Picture books are the foundational building block of literacy skills for young kids, because connection words and pictures is HUGE in a young brain's development.
• If your kid doesn't seem like they're paying attention, don't worry! My daughter often played while we read or listened to audiobooks (and still does). Sometimes I'd SWEAR she was not listening at all, only to have her say something later that made it clear she'd been paying much better attention than I'd thought.
• Don't force yourself through a book that isn't fun for everyone involved! There were a few books that we started as a family, got halfway through, and just mutually decided this isn't working for us and ditched. There are too many awesome books in the world to worry about the ones you don't love.
• There is something about the way a child's brain develops that makes it so that kids are not naturally able to sequence stories in the same way an adult can. (I could write a whole post on this. I find it fascinating.) My daughter taught herself to read at 4.5, but even as an early and very precocious reader, there was a big delay in her ability to read longer books and her desire to do so. What I realized, to my surprise, was that she did not see a long book as a contiguous story. She saw every chapter or scene as something that stood alone, and because of that, she didn't feel that urgent NEED to get back to a book she was reading until she was around six and a half. This dynamic is less prominent in read alouds, because as a parent you can help your child make the connections between different events in a story, but don't be surprised if your kid seems totally cool just stopping a book in the middle or doesn't seem as intrigued by the mystery at a book's heart. It doesn't meant they don't enjoy it—it just means their brains are processing it differently than yours!

The Clementine series (ages 3+) by Sara Pennypacker: This and Anna Hibiscus (below) are tied for my very favorite chapter book serieses of all time. (Fun fact: In publishing, "chapter books" doesn't mean just any book with chapters—it refers specifically to early chapter books, the age category that bridges the gap between early readers and middle grade books. Chapter books are shorter than middle grade, and typically heavily illustrated.) Clementine is absolutely hysterical, and Pennypacker's grasp of kid thoughts is pure comedic gold. Plus, Clementine will prove a kindred spirit for any kid who has troubles at school—although a diagnosis is never given, I suspect that the character has ADHD, and she spends a lot of time visiting with the sympathetic-but-exhausted principal of her school. The first book is called Clementine.

The Anna Hibiscus series (ages 3+) by Atinuke: These books are tied with Clementine for my all-time favorite chapter book series. Atinuke, a Nigerian storyteller, weaves a series of interconnected stories about Anna Hibiscus, a charming little girl who lives in an extended family compound in Africa. (The country is never specified, but I suspect based on some of the details and the author's nationality that it is Nigeria.) The books are laugh-out-loud funny—Anna has younger twin brothers named Double and Trouble who are always a riot—but also does a phenomenal job at introducing difficult subjects in a gentle, age-appropriate manner. Years after first reading, we still use examples from Anna's stories to have discussions about big topics like grief or acting out. The only catch with this series is that it's from a smaller press and some of the volumes weren't in my library; I found them online for a reasonable price and ended up buying them all, and it's been a heartily worthwhile investment. The first book is called Anna Hibiscus.

The Sam series (ages 3+) by Lois Lowry: This is another you won't be able to get through without laughing! (Especially when you read Attaboy, Sam!) A classic chapter book series that follows Sam Krupnik from birth until preschool. I've read these multiple times and always enjoyed it! These do have slightly longer chapters, so you may have to split chapters between reading sessions. The first book is called All About Sam.

Everything Winnie-the-Pooh (age 3+) by A. A. Milne: My daughter was hardcore obsessed with Pooh from about 2.5-4 and listened to the casted audio recording of the complete stories dozens of times. They're fun to read aloud, but in this case, it's also totally worth hunting down that casted audio, which is phenomenal. (Also, Eeyore sounds strangely like Alan Rickman's Snape, which is weird but totally works.)

The Diary of an Ice Princess series (age 3+) by Christina Soontornvat: This is a newer chapter book series that appeals perfectly to fans of princess, magic, and cute animals! My daughter devoured these after she'd already learned to read, but they'd make great read-alouds for fantasy-inclined little ones too.

The Yasmin series (ages 3+) by Saadia Faruqi: This is a beloved family favorite! These are released both as early readers, and as chapter books with 4 of the early reader stories in each volume. Yasmin is fantastic, and her adventures are so much fun to follow. (AND the books often have corresponding activities at the end!) The illustrations in this are vibrant and honestly some of my favorite in kidlit, and I also love Yasmin's strong, supportive family.

The Princess in Black series (ages 3+) by Shannon and Dean Hale: These are zany, highly illustrated chapter books with short chapters, funny/easy-to-follow plots, and fantastic illustrations, which makes them perfect for kids who are little and just making the transition to longer read-alouds.

Anything by Dick King-Smith (ages 4+)! Especially Babe, The Water Horse, and A Mouse Called Wolf. We read these when my daughter was about four and she seriously could not get enough of them. She was spellbound through all the descriptions of village life and sheepdog training and what have you. Also, thanks to these books and the next suggestion, I once came upon her at age four putting her stuffed animals through an obstacle course—she proudly announced, "Look, Mama, I'm playing sheepdog trials!"

The Jasmine Toguchi series (ages 4+) by Debbie Michiko Florence: Jasmine loves to learn new things, and doesn't want to be bound by the limits others have set her! She's a great, spunky heroine readers can root for, and the books also provide some really fun peeks into cultural traditions for Jasmine's Japanese-American family.

Best-Loved Children's Stories (ages 4+) by James Herriot: This one is a solid win for animal-loving kids! It also has lovely, full-color illustrations, which are always a plus.

Big Foot and Little Foot (age 4+) by Ellen Potter: This one comes with a caveat; skip it if your kids don't handle spooky suspense well. These are some of the most charming chapter books I've ever read, but each book does have a period of time where the main characters are certain a terrifying monster is stalking them. In the end, each "monster" turns out to be a harmless and heartwarming misunderstanding, but my daughter didn't do well with the suspense and we had to stop reading the series. Nonetheless, I always recommend them for kids who do okay with spookiness, because they're just so cute!

The Two Dogs in a Trench Coat series (4+) by Julie Falatko: This series is absolutely absurd, zany, hilarious fun. Literally about two dogs in a trench coat who miss their boy so much they dress up and go to school as one student name Salty, these are laugh-out-loud reads for sure! The complete ridiculousness of the fact that nobody ever notices or suspects that Salty is, in fact, two dogs in a trench coat is what makes this series pure awesomeness.

The Wild Robot and The Wild Robot Escapes (4+) by Peter Brown: We listened to The Wild Robot on audiobook during a family road trip when my daughter was 4, and we were all completely spellbound. This is such a unique story, really like nothing else I've ever read. The depth of emotion, compassion, and thought-provoking moral questions make this one of those perfect reads for families with mixed ages. The exciting story is enough to capture the youngest kids' attention, while the nuance and philosophy give adults plenty to ponder.

The My Father's Dragon series (4+) by Ruth Stiles Gannett: I'm including this one largely because it is the #1 recommendation I found for chapter books to read aloud to little kids, back when I was searching. We did read all three books as a family when my daughter was about four, and enjoyed them. However, I confess that they're not my absolute favorites to read aloud; they're fun, but I felt like they didn't hold my family's attention as much as others. Your mileage, of course, may vary—since it's clearly a beloved favorite of many read-aloud families!

Charlotte's Web (5+) by E. B. White: I had actually, amazingly enough, never read this until I read it to my daughter when she was 4 or 5. I ended up being so sad that I'd missed such a wonderful book as a kid—except also happy that I got to experience it for the first time as an adult!

The Vanderbeekrs series (5+) by Karina Yan Glaser: These charming novels are reminiscent of classics like The Saturdays or All-of-a-Kind Family, but they spotlight a biracial family living in Harlem and include a beautiful array of diversity. These are some of our all-time favorite read-alouds, and now that my daughter is older she's reread them all herself multiple times. There was a solid year in there where all of her dolls were named after Vanderbeeker siblings. We're BIG fans in this house! (I actually think the third book in the series, The Vanderbeekers to the Rescue, was our all-time favorite family read aloud.)

Dragons in a Bag and The Dragon Thief (5+) by Zeta Elliott: These are short reads and might appeal to younger kids as well, but some of the worldbuilding is a little complex and might be harder for small ones to follow. But this duology is a delightful lower middle grade pair about a conscientious, rule-following boy who accidentally gets sucked into a magical adventure involving misplaced dragons, time travel, other worlds, talking animals, and other mischief! Although we didn't read this one until my daughter was older, I think she'd have loved it a few years ago, as well.

The Pacy Lin series (5+) by Grace Lin: This series, which begins with Year of the Dog, was one we all really enjoyed reading when my daughter was about 5.5. The stories are loosely autobiographical, and Pacy's adventures and anecdotes are absolutely delightful. This series has strong appeal to kids who love slice-of-life books that are interspersed with stories from family members, somewhat similar to the format of the Little House books. (*whispers* but better!) I will never forget, nor stop being delighted by, the story about Pacy's dad practicing his golf serve in the hallway before their carpet is replaced.

The Ramona series (5+) by Beverly Cleary: This is a classic, and was one of our daughter's favorite for many years (especially on audiobook—she's listened to the entire 20-hour audio collection more than 10 times!) This one has longer chapters, so it's a bit better for the kids five and up, and just know you may have to pause in the middle of chapters as you read.

A Playlist for Beginners Welcome!

My second middle grade novel, Beginners Welcome, hits shelves in just a few short weeks. It's about an eleven-year-old girl named Annie Lee, who's struggling to find healing after her beloved daddy unexpectedly dies. Writing Beginners Welcome was an especially fun process, because I got to draw on one of my favorite things in the world: my own musical background.

Music has been a big part of my life for as long as I can remember. I started taking piano lessons pretty young, and when I was ten I picked up a cousin's violin and taught myself how to play "Minuet in G" in a few minutes—proving to my reluctant mom that yes, I DID need violin lessons. I studied violin seriously all through middle school and high school; in fact, at one point, I planned to be an orchestra teacher! Over the years, I've taught violin, tutored piano, composed music (I even had one composition place at the state level in a competition!), and been an orchestra assistant. In high school, I even got to conduct a local children's orchestra while they played a piece I'd written myself. It was a really cool experience!

In Beginners Welcome, music is the thread that connects Annie Lee to her daddy, even after he's gone. It's also the thing that helps give her the courage and strength to begin moving on after his death. Annie Lee meets an elderly pianist at the local mall, and through piano lessons with him, she starts to open her heart up to others once more.

Because music is such a big part of the book, I had to make a playlist for it—of course! Many of these songs are ones that I listened to as I worked on the book. Although I don't listen to music WHILE I'm actually writing, I'll often listen to it while I'm thinking about the book, outlining, or planning, to help get me in the right mindset. A lot of the songs on this playlist—like the John Denver ones or "Carolina in my Mind," by James Taylor—are songs that are directly mentioned in the book. (One of them happens to be Annie Lee's daddy's favorite song in the world, and the song she's named after... you might be able to figure out which!)

Other songs are the kind of dreamy, improvisational piano pieces that I imagined Ray the pianist playing during his improv sessions at Brightleaf Square Mall. There's a few on there, too, that are passionate, emotional pieces from the classical repertoire, the kinds I imagine Annie Lee and her daddy listening to together.

The final song on the playlist, "Anthem" by Leonard Cohen, was actually part of the inspiration for the story. In fact, the very first title Beginners Welcome had was How The Light Gets In, after a line in that song. I love the chorus of that one, and how it emphasizes the fact that beauty—and light—come from brokenness, rather than perfection. That's a message that Ray delivers to Annie Lee as she struggles through her piano lessons, and it's one that I hope readers take away from Beginners Welcome, too.

I hope that you enjoy this playlist as much I enjoyed putting it together!

(In addition to the embedded player above, you can access the playlist here.)

Beginners Welcome pre-order giveaway!

Everything included in the pre-order giveaway!
(Note that some giveaway tiers may not receive all items pictured.)

One of my favorite things that I did to celebrate the release of Where the Watermelons Grow was holding a pre-order giveaway, so I knew that I wanted to do the same with Beginners Welcome! I see pre-order giveaways as such a wonderful way to thank YOU, my readers, for your support and enthusiasm for my books. Even heading into the publication of book two, it's absolutely mind-boggling to me to realize that real people out in the world have read, loved, and shared my books. This giveaway is a way to say thank you to each of you for your support!

Unlike the giveaway for Watermelons, the Beginners Welcome pre-order giveaway does not include entries for a grand prize. Instead, I've tried to make sure that each entrant will get something a little bigger and more special than the swag I offered with Watermelons. This time, I'm also offering a couple of different entry tiers, which I'm really excited about!

Something completely new included with this giveaway is a digital download of both sheet music and a recording of an original piano composition that I wrote to coordinate with the book. In Beginners Welcome, Annie Lee is entranced by elderly pianist Ray Owens and his skill for improvisational composition—something that I drew from my own life and my own love for piano songwriting! I'm really excited to share the digital downloads for the sheet music and recording for this song, and hope you'll enjoy it as much as I have.

What you'll get for pre-ordering BEGINNERS WELCOME through retailers other than Annie Bloom's

Here's what you can expect to receive if you enter this giveaway:

—Pre-orders through most retailers: Digital download of sheet music and recording for "Beginners Welcome" song; a signed bookplate; a BEGINNERS WELCOME bookmark; and a BEGINNERS WELCOME sticker.

—Pre-orders through AnnieBlooms.com: Digital download of sheet music and recording for "Beginners Welcome" song; a signed bookplate; a BEGINNERS WELCOME bookmark; a BEGINNERS WELCOME sticker; and a music-themed elastic charm bookmark (colors and charm styles may vary, and not all elastic colors are shown in the photo).

If you pre-order through AnnieBlooms.com, you'll receive a music-themed elastic
charm bookmark in addition to the rest of the swag!

—Library order requests or holds (Only eligible through 2/11/2020): Digital download of sheet music and recording for "Beginners Welcome" song; a BEGINNERS WELCOME bookmark; and a BEGINNERS WELCOME sticker.

—If you are a teacher or librarian who pre-orders the book to share with your classroom: Bookmarks and stickers for one classroom's worth of students; a signed bookplate; and a personalized letter from me to your class. (Note that I can only send swag for one classroom's worth of students, even if you teach multiple sections.)

The giveaway will be open from now until one week after the book's release, closing on 2/18/2020. Mailed swag and digital downloads may or may not be sent until after the giveaway period closes.

To enter, follow this link to the Google form where I'll be collecting information! Also, please don't hesitate to enter if you've pre-ordered Beginners Welcome—everyone is eligible for this giveaway, even my friends and family. ;) Help me show my gratitude for your support!

2019 MG Summer Reading List!

Recently on Facebook, I promised to share a list of some of my favorite middle grade reads for parents looking for summer reading for their kids. (The sweet spot for most middle grade is between ages 8 and 14, though I find them delightful to read as an adult, too! And my 6-year-old and I have enjoyed lots of middle grade fiction as read-alouds.)

The following is a list I've compiled of some of my very favorite middle grade reads over the last year. Hopefully, there will be something for every kind of reader here, whether they're fans of graphic novels, realistic fiction, mysteries, tear-jerkers, or historical fiction. Any book on the list with a star is one that takes place DURING the summer—I know I personally always love when my summertime reads have that summery feeling!

Each of the books on this list is something I've personally read and loved in the last year or two; I tried to include a mix of newly-published titles and older ones, to make sure that many would be available even at smaller local libraries. If you're looking for something to suit a specific reader, let me know in the comments what books they've enjoyed in the past, and I'll try to give some customized recommendations!

One set of books I end up recommending a LOT but haven't read all of is the Rick Riordan Presents line. If you have a Percy Jackson fan in the house, be sure to check out new books published under this imprint by authors like Jen Cervantes, Roshani Chokshi, Yoon Ha Le, and Carlos Hernandez. Each series is a Percy-style adventure that is based in world mythologies and written by authors from that specific culture. They're awesome!

(Disclaimer: I've used Amazon Affiliates links in this post.)

REALISTIC FICTION
August Isle by Ali Standish*
Where the Watermelons Grow by Cindy Baldwin*
The Battle of Junk Mountain by Lauren Abbey Greenberg*
So Done by Paula Chase*
Silver Meadows Summer by Emma Otheguy*
Up For Air by Laurie Morrison*
The Vanderbeekers of 141st St. by Karina Yan Glaser
The Vanderbeekers and the Hidden Garden by Karina Yan Glaser*
The Parker Inheritance by Varian Johnson* (This one is realistic fiction with a historical mystery element!)
Extraordinary Birds by Sandy Stark-McGinnis
Harbor Me by Jacqueline Woodson
Hurricane Season by Nicole Melleby
A Good Kind of Trouble by Lisa Moore Ramée
The Line Tender by Kate Allen
Other Words for Home by Jasmine Warga
Kat Greene Comes Clean by Melissa Roske
Mostly the Honest Truth by Jody J. Little
Front Desk by Kelly Young
The Year of the Dog (and sequels) by Grace Lin
Worth A Thousand Words by Brigit Young
The House That Lou Built by Mae Respicio

Just Beneath the Clouds by Melissa Sarno

The Someday Birds by Sally J. Pla*

HISTORICAL FICTION
One Crazy Summer by Rita Williams-Garcia*
Planet Earth is Blue by Nicole Panteleakos
The Inquisitor's Tale by Adam Giddwitz
The Inventors at No. 8 by A. M. Morgen

SCIFI AND FANTASY
Midsummer's Mayhem by Rajani LaRocca*
Just South of Home by Karen Strong*
Seventh Grade vs. the Galaxy by Joshua S. Levy
Two Dogs in a Trench Coat Go to School by Julie Falatko
Ghost Boys by Jewell Parker Rhodes
The Land of Yesterday by K. A. Reynolds
The Simple Art of Flying by Cory Leonardo
One Dog and His Boy by Eva Ibbotson
Race to the Bottom of the Sea by Lindsay Eager
The Hotel Between by Sean Easley

GRAPHIC NOVELS:
New Kid by Jerry Craft
The March trilogy by John Lewis (nonfiction memoir)
Pie in the Sky by Remy Lai
The Cardboard Kingdom by Chad Sell
All's Faire in Middle School by Victoria Jamieson
El Deafo by Cece Bell
Be Prepared by Vera Brosgol*

And for even more summer reading fun, check out this Summer Reading Bingo I put together for Middle Grade at Heart!

Interview with Akemi Dawn Bowman, author of STARFISH

Today I have the immense privilege of participating in the blog tour for Akemi Dawn Bowman's luminously incredible debut novel, Starfish. Ever since I saw the cover reveal for this book, I've wanted to read it—it's truly one of the most beautifully captivating covers I've ever seen. And the book itself didn't disappoint; Bowman's language is so lyrical and rich, and her story so gripping and lovely, that I absolutely couldn't put it down and read it cover to cover in twenty-four hours (which happens much less than it did before I had a kid!). Starfish is hands-down one of my favorite reads of the year, and I am so excited to recommend this book right and left!

If you're a fan of contemporary young adult, you must add this.  (And make sure you read to the bottom—there's a giveaway involved!)

What's it about?

Kiko Himura has always had a hard time saying exactly what she’s thinking. With a mother who makes her feel unremarkable and a half-Japanese heritage she doesn’t quite understand, Kiko prefers to keep her head down, certain that once she makes it into her dream art school, Prism, her real life will begin.

But then Kiko doesn’t get into Prism, at the same time her abusive uncle moves back in with her family. So when she receives an invitation from her childhood friend to leave her small town and tour art schools on the west coast, Kiko jumps at the opportunity in spite of the anxieties and fears that attempt to hold her back. And now that she is finally free to be her own person outside the constricting walls of her home life, Kiko learns life-changing truths about herself, her past, and how to be brave.

From debut author Akemi Dawn Bowman comes a luminous, heartbreaking story of identity, family, and the beauty that emerges when we embrace our true selves.

Interview with Akemi

1. What was your journey to publication like? Was Starfish the first book you tried to sell?

My journey was definitely long—it was years of consistent hard work, and refusing to give up. It took me four manuscripts to get an agent, and the fifth book I wrote (Starfish) was the one that got me a book deal. I’ve always been very stubborn, so when the agent rejections piled in with the first few manuscripts, I didn’t want to accept defeat. I just told myself I’d write a new book and try again. I did a lot of writing and re-writing, and coming up with new ideas when the old ones weren’t working. And eventually, it worked!

2. What was the seed of inspiration for Starfish? Did it start with a character, a plot, a scene, or something else completely?

Starfish is the book I needed most as a teen. It’s the book that would’ve helped me to feel “seen,” which is something I really struggled with when I was younger. It was very difficult to find books with characters that were experiencing similar things to me, particularly when it came to being biracial and living with social anxiety. And so I wrote this book hoping it would act as a mirror for the people who need it most today.

3. One of my favorite things about Starfish were the gorgeously lyrical descriptions of the artwork, and the way the pictures themselves tell a story throughout the book. Do you have a background in visual art?

Thank you so much! I’ve loved drawing for as long as I can remember, though I’m nowhere near as talented as Kiko. I took two years of ceramics in high school, and a year of painting too. I have a big set of Copic markers, and I occasionally like to get them out and draw a Pokémon or two. There’s something about Bulbasaur’s cute little face that relaxes me!

4. What Hogwarts houses would your characters belong in?

Kiko – Ravenclaw

Jamie – Gryffindor

Hiroshi – Hufflepuff

Kiko’s mom – Slytherin

Though, I’ve heard some readers think Jamie should be in Hufflepuff, so my guess isn’t set in stone. I could see him in either!

5. What advice would you give to aspiring authors?

Keep writing, and don’t give up. And toughen your heart a little bit because rejections don’t stop once you find an agent. You’ll get editor rejections. Your agent might reject your next manuscript. You’ll get negative reviews. Your book might not get promoted as much as others do. The list goes on and on. There can be a lot of heartbreak ahead, but also so much joy and excitement too. Just remember to celebrate every single win that comes your way—even if it’s as simple as finishing your revisions! Remember to be proud of your accomplishments, and don’t let outside noise keep you from writing your stories. You can’t control everything about your writing journey, but you can control when your next book gets finished. So stay focused, and write!

Giveaway!

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In Defense Of Kidlit: Why "Harry Potter" Qualifies As Great Literature

Over the weekend, my college-age brother had a rousing discussion on his Facebook page responding to the question "is Harry Potter 'great literature?'" The bulk of the questions were from his fellow college students, dryly opining about how Harry Potter couldn't possibly be considered great literature because it wasn't as "intellectually stimulating" as Shakespeare. 

Needless to say, after 24 hours of reading those posts, my little kidlit-writing, Harry-Potter-loving self was getting kind of steamed.

Yesterday afternoon Mahon took Kate to run a bunch of errands. Background info: I've been sick, really sick, for two weeks, and done almost nothing but lay on the couch in that time. So the combination of sick + alone + stir-crazy and bored led to something that could be interpreted as foolish: I spent twenty minutes writing an 1100-word manifesto in response to that Facebook thread on why I'm willing to bet that Harry Potter will, in time, be remembered as a classic.

Here are the six points (all of the other titles alluded to were works, or authors, previously brought up in the discussion), plus one added for the purposes of this blog post because I didn't think of it till just now:

1) You cannot compare Harry Potter to Shakespeare or even to Robert Jordan or Brandon Sanderson. Those are ALL DIFFERENT CATEGORIES. Harry Potter is children's fiction; the others are all adult (and one is adult stage plays which is completely different also). The only sorts of classics to which you could reasonably compare Harry Potter would be things like ALICE IN WONDERLAND or THE CHRONICLES OF NARNIA; both considered classics just as much as THE SCARLET LETTER is considered a classic. Trying to be like "Harry Potter is no Bronte!" is like saying "Man, my sock really doesn't make a very tasty sandwich." Children's literature has different rules, goals, and things that make it great than adult fiction does. End of story. Even adult genre fiction (Sanderson, Jordan) are very different than children's genre fiction.

2) Classic literature wasn't "classic" when it was being published. In fact, most of the greats we read in English classes today were the pulp popular fiction of their day. Jane Austen? Read far and wide by people who were slightly embarrassed to admit they were reading books about a woman instead of "important literature." Shakespeare? Many of his contemporaries scorned him as an intellectual lightweight who just pandered to popular opinion. (And they thought that the things we recognize today as innovative were just stupid.) The ones who weren't in this category were, by and large, overlooked. In other words... people said the same things about most of our "classics" that people say today about Harry Potter.

3) JK Rowling is no slouch. Her "single mom rags to riches" image—which, by the way, is part of book marketing; people are more likely to read something by somebody with a fantastic Cinderella story than by a savvy classical scholar—aside, she was an extremely well-educated woman who'd been practicing writing for awhile when she finally got her big break. (On average in creative industries it takes, like, a decade to become "an overnight success.") The symbolism and classical scholarship in her books goes MILES deep. Few modern children's authors have such a subtle and masterful grasp on using symbolism and fine-detail-work as Rowling does. People rag on them for being long, but there are pretty much no wasted details in the series: think about how many "huh?" moments there were in the movies when they removed a bunch of the smaller, "unimportant" moments from the book. For an example of the kind of mind-blowing meanings hidden in microscopic details that I'm talking about, check out this link, which got shared during the Facebook conversation.

Also, few authors in any genre have as good a handle on long-form series; think of how many trilogies kind of fizzle out before they even get to the end, and yet Rowling managed to craft a behemoth of a series without a lot of dull, lagging spots, and with each book having its own strong story arc while playing perfectly to the arc of the series as a whole. The themes in Harry Potter are also incredibly deep as well—layers and layers of different themes that touch on some of the biggest questions literature can touch on (death, afterlife, loss, handling grief gracefully, friendship, imperfect people in positions of authority, the frailty of the wisest, prejudice, classism/racism, the supernal nature of good vs evil, etc). So I'd argue that Rowling did do a lot structurally that was meaningful—done in both a way, and to a degree, that most writers have not been able to pull off.

4) At the end of the day, people hate on both genre literature (ie, fantasy) and children's literature ALL THE TIME. In the children's lit world, we sit around and vent to each other about the incredibly rude things people say to us (like, "Oh, that's nice—do you think you'll ever write a REAL novel?"), because it's such a prevalent attitude in society. But make no mistake: just because a children's novel is more accessible and quicker to read than an adult novel doesn't mean that it's automatically less-than. There's a reason that children's novels tend to be the ones that many adults remember and speak of most vividly, and it isn't (as much as we English majors might sometimes like to think it is) because the general population is too stupid to comprehend HEART OF DARKNESS. It's because children's literature is a profound part of what shapes us and makes us who we are. Good children's books inform our opinions, our empathies, our deep thoughts. Good children's books are also universal in nature, tapping into deep themes and emotions from people all across the age spectrum, which is why adults often still gravitate towards YA and children's fiction plenty of the time. Just because something is written for children doesn't make it either childish or Not An Important Book. Likewise with genre fiction; just because something involves magic, or a funny best friend, or dragons, doesn't mean it can't also contain deep and important reflections on the human condition.

5) Even if all the above were not true... things can be great literature even if they're not replete with deep symbolism and statements on the nature of mankind. There are plenty of books that are considered classics today that are classic just because the author was very witty, or because she was terrific at creating characters, or because it was the kind of book that people just genuinely enjoyed reading. And particularly in children's fiction, great literature can take all forms; what makes it great is the two-pronged effect of resonance and endurance—i.e., how much it resonates with people, makes them question what they've believed or come to know themselves or the world better, and also whether it's a "passing fad" kind of book or a "stands the test of time" one. There are certain books that have had almost as much popularity as HP which I'm willing to bet won't be remembered as classics, because they lacked one or both of those elements. But, by the same token, I'm willing to bet that Harry Potter will be one that endures, in the vein of Lewis Carrol or C. S. Lewis or any other classic children's literature.

6) Things also don't have to be Great Literature to be worthwhile (though, as I said at length in my overly wordy essay above, I think HP falls into that category). Particularly with kidlit, not all books are going to have that resonance or endurance, and that's OK; at the end of the day, the sacred responsibility of children's literature is creating readers. 

7) In the English literature world, we sometimes fall into this false dichotomy—assuming that something cannot be both enjoyable and meaningful, that if we're not working rigorously to access a piece of literature, then that means that it, in turn, is not rigorously challenging us. Likewise, we often have a false dichotomy about other things that are "good for us", like vegetables: our culture is filled with this idea that vegetables are something that we have to suffer through in order to grow strong. Personally, I don't know about you, but I think vegetables are divine. Properly cooked, a bowl of green beans or steamed broccoli stands up there with dessert, as far as I'm concerned. The idea that healthy foods can't also taste good is patently false, and I think the same holds true for the idea that Meaningful Works of Literature can't also be accessible, enjoyable, or fun. Quite often, the works of fiction that have the most wide-reaching and transformative effect are also the most exciting—the kinds of books that we want to dive into and stay in, while simultaneously having our worldview challenged and our empathy deepened. Something can be both fun and important, both delicious and healthy. It's not a zero-sum game, where only the Really Smart People can access Great Literature. 

In fact, I'd say that the truly greatest works of literature are the ones that draw regular people into them, inspiring them to engage with a book even if they're not really the "reading type," while subtly challenging their worldview, their sense of self, and forcing them to reevaluate and recommit to a meaningful life. Great literature does all of this while also masterfully using literary techniques and creating the kind of narrative that lingers with readers for the rest of their lives. By all these metrics? I'd say Harry Potter succeeds very well, indeed.

Best New Reads of 2016!

2016, man. It's been a year, am I right? Like many of you, 2016 has put me through the ringer in more ways than one. But there's also been some exceptionally good things—chief among them, the number of really fantastic books I've read.

In the last year I've read a total of 87 books, 19 of which were unpublished books I read either as a critique partner or as a Pitch Wars mentor. (I've definitely never had a year with so much beta reading before! And I can't wait until those books are out in the world and I can share them with all of you.) Of the published books I tracked on Goodreads, a whopping 30 were five-star reads. I read very few books this year that I didn't totally love.

Here are my top 14 favorite new reads for 2016, because 14 was as close to 10 as I could make my list go, listed in mostly chronological order. The links in the post aren't affiliate links, because I've never made enough on my affiliate account for Amazon to actually give me the money, so I decided to go the easy route this year. ;)


1. Happiness for Beginners, Katherine Center

Adult fiction. Totally delightful, perfectly-paced, and life-affirming women's fiction that manages to be both sweet and thought-provoking.

2. The War that Saved My Life, Kimberly Brubaker Bradley

Middle grade fiction. This is one of this year's Newbery Honors, and I just adored it. I particularly loved that while it's a masterfully done historical fiction, the focus is on the character's personal story, not the historical setting. After I got past the really difficult beginning, I loved how hopeful and lovely the story managed to be, despite being about such grim topics.

3. The Thing About Jellyfish, Ali Benjamin

Middle grade fiction. There were a lot of books that really stuck with me this year, but The Thing About Jellyfish tops that list. Gorgeously written, sweet, and sad, it beautifully tackles a very real experience for middle schoolers. I also loved how it was strongly hinted that the main character was likely on the autistic spectrum, but the focus of the story wasn't on her neurodifference, and the way the story told was very inclusive.

4. Hour of the Bees, Lindsay Eager

Middle grade fiction. I was a little bit freaked out when I first saw the cover and synopsis for this book in the spring, because I'd just barely begun querying my own middle grade book about magic bees (which pretty quickly got an agent and sold to HarperCollins, hooray!). Once I read it, though, I was relieved to see it's very different than my own—and fell head over heels for Eager's lovely storytelling and the unique way that she intertwines fables and family history with her contemporary story.

5. Because of Winn-Dixie, Kate DiCamillo

Middle grade fiction. No, I have no idea how I went 15 years after its publication without reading this one, but I loved it. Short, sweet, and guaranteed to bring a smile.

6. Goodbye Stranger, Rebecca Stead

Middle grade fiction. Stead is one of my favorite authors of this year, and of the books I read (the other being the equally fantastic Liar and Spy), Goodbye Stranger is the one that's really lingered in my mind. I love how well it tackles some really hard topics in an utterly sensitive and age-appropriate manner. Stead's sparse and straightforward writing, and her compelling and unique characters, are completely hypnotic.

7. Eleven and Holding, Mary Penney

Middle grade fiction. This was an unexpected gem; Penney's debut novel is another that tackles tough subjects with grace and humor.

8. The Storied Life of A.J. Fikry, Gabrielle Zevin

Adult fiction. I'd heard mixed things about this one, and wasn't sure what to expect going in, but I ended up devouring almost the whole thing in one night and absolutely loving it. The ending was a little abrupt and unexpected, but I loved the rest of the book enough that I was able to get over that. Sweet and life-affirming.

9. The Family Fletcher Takes Rock Island, Dana Alison Levy

Middle grade fiction. I also read Levy's debut novel, The Misadventures of the Family Fletcher, but while that was also a five-star read, Rock Island edged it out just a bit for me. I read this the week before Christmas, and the grin-inducing storyline plus the warm, summery setting were just what my tired midwinter heart needed.

10. The Key to Extraordinary, Natalie Lloyd

Middle grade fiction. Lloyd's debut, A Snicker of Magic, was actually the first book I read in 2016, and while I also loved that one, The Key to Extraordinary was even better. I loved everything about this book—the setting, the characters, the theme, the folk music woven through it, and all the references to lavender-peach muffins, which I'm still going to try my hand at making one of these days!

11. Courage for Beginners, Karen Harrington

Middle grade fiction. This was an unexpected gem that I picked up off a library display shelf one day. It was such a unique story, and while some aspects of it were so stressful to read, the plucky, voicey narrator kept me turning pages at top speed. Courage for Beginners manages to be both funny and heartbreaking, which is a pretty winning combination in my book.

12. Root Beer Candy and Other Miracles, Shari Green

Middle grade fiction. Green's verse is absolutely luminous, and her subject matter is sweet and sad, in all the best ways. It's also one of the best depictions I've read of a side character with cystic fibrosis!

13. Love Warrior, Glennon Doyle Melton

Adult nonfiction. Let me level with you here. I didn't really expect to love Love Warrior nearly as much as I did. I definitely didn't expect to find it profoundly moving, the kind of book I wanted to buy and reread the second I'd closed the cover. The Momastery blog can be slightly hit-or-miss for me, and while I appreciate a lot of Glennon's insights, I figured this book couldn't live up to the hype. But for me, at least, it totally did. In addition to being an honest and unflinching memoir that avoids stepping too far into navel-gazing or coy I'm-a-disaster-but-I'm-so-cute territory, Love Warrior is also packed with incredibly thought-provoking musings on society's expectations for women and for relationships.

14. The Weight of Feathers, Anna-Marie McLemore

Young adult fiction. McLemore's debut is gorgeously written, evocative, and unique; I can't describe it in words that really do it justice. The magical realism is light and perfect, and the story is so rich with atmosphere you could cut it with a knife.

Runners-up (it was so hard bumping so many favorites into this category):

A Study in Charlotte, Brittany Cavallaro

Conviction, Kelly Loy Gilbert

The Miraculous Journey of Edward Tulane, Kate DiCamillo

The Passion of Dolssa, Julie Berry

Okay For Now, Gary Schmidt

Liar Temptress Soldier Spy, Karen Abbott

Southern Charmed, Melanie Jacobson

Interview: Shari Green, Author of ROOT BEER CANDY AND OTHER MIRACLES

Today I have the incredible privilege of sharing a chat with Shari Green, author of the debut middle grade novel-in-verse ROOT BEER CANDY AND OTHER MIRACLES. Thanks to an Amazon goof, I had the chance to read this a little bit early, and it was so good. Definitely one of my favorite reads of 2016! The verse is light and lovely, the setting is perfect, and the plot deals with major issues in a sensitive, gentle, and ultimately hopeful way. If you're a fan of Sharon Creech, you should definitely give ROOT BEER CANDY a try!

Here's Shari's summary of the book:

It will come to pass
that a stranger from the sea
will change
everything.

The locals in Felicity Bay shake their heads at the ice cream man’s prophecy. “Crazy old Jasper,” they say. But Bailey isn’t so sure. She’s found something special down at the beach: a driftwood mermaid, a gift washed up from a storm. Could she be the stranger from the sea who has come to change everything? Bailey hopes so. Because this summer, she could sure use a miracle.

Where did you get the inspiration for ROOT BEER CANDY AND OTHER MIRACLES?

I’d been thinking a lot about the extraordinary in the ordinary—Frederick Buechner said “all moments are key moments, and life itself is grace”, and that quote had been tumbling around in my thoughts. Meanwhile, I knew I wanted to write a “beachy book” someday—something in which I could really indulge my love of the sea. And then a driftwood mermaid showed up in my imagination, and the pieces started coming together.

I'm a big fan of verse novels in general, and especially for a middle grade audience—somehow they seem to work so well with the struggles of that age group. What made you decide to write ROOT BEER CANDY in verse? Is this your first verse novel?
Yes, it’s my first verse novel…but it didn’t start out in verse. At first, I struggled to find Bailey’s voice—after a few false starts I finally tried it in verse, and there was Bailey! As I wrote, I realized other reasons to keep going in verse: I felt complete freedom to use imagery to weave the setting throughout the story, and the format allowed me to use white space to give readers room to ponder ambiguities and unanswered (unanswerable?) questions. Above all, verse just felt right for me and for Bailey’s story.

One of the things that really drew me to ROOT BEER CANDY was the inclusion of a side character who has cystic fibrosis, like I do. CF isn't something that comes up a lot in fiction; what made you want to write a character with CF?
I’m not really sure why Daniel appeared in my imagination the way he did. I haven’t met many people with CF. And yet, there was Daniel with his chest physio and his eleven-year-old version of a seize the day attitude, and I loved him. It meant I had a lot of research to do, though! I knew I wanted him to have an important role in the story, because, like all kids, children with chronic illness need to see themselves in books. They need characters they can connect with, that maybe help them feel not so alone in what they’re dealing with. I hoped Daniel might be that character for a child somewhere, someday.

I also appreciated how authentically and sensitively you handled the issue of Daniel's life expectancy as a result of his CF, something that is definitely the elephant in the room for most of us. I love that it's not a focus of the story, and that Daniel is allowed to be a regular kid, but that it's clear that it's something Daniel thinks about. What made you want to include this, specifically, in Daniel's storyline?
I think one thing I love about a lot of children’s literature is that it doesn’t shy away from the tough stuff. So often kids are impacted by the hard truths of life, but adults whisper, censor, try to ignore those realities. This comes from a good heart, I think—from wanting to protect kids. But kids are smart and so very observant. They’re aware of the tough stuff, and they’re developing compassion for others and coping skills for themselves as they deal with it. Including the bit about Daniel’s life expectancy was a way of validating his experience, a way of saying your reality matters, your worries matter, the tough stuff you think about matters.

In your dayjob you work as a nurse (right?)—do you feel like that background helped you in writing authentically about CF and childhood illness?
Yes, I’m an LPN. My background probably helped somewhat by allowing me to be comfortable tackling the subject of chronic illness (and maybe especially the life-and-death aspect). However, most of my experience as a nurse has been on the surgical ward—not at all the place for childhood illness! Ultimately, I had to rely on research.

Since the beach is my #1 happy place (mine is the Outer Banks!), I love the setting for ROOT BEER CANDY. I know that you live near the coast and visit often. Is Felicity Bay based on a real beach town you love, or is it straight from your imagination?
Felicity Bay is completely fictional, but the island—Arbutus Island—was inspired by a real place: Gabriola Island, which is between Vancouver Island and the mainland of British Columbia. I spent childhood summer holidays there, and have wonderful memories and a serious case of nostalgia.

I love the thoughtful but not heavy-handed exploration of religion and faith in ROOT BEER CANDY; I think you hit a perfect note and have a story that really will appeal to children of all (or no) faith traditions. What made you decide to include faith as such an integral part of the storyline?
I wanted to include faith partly because it felt like the most honest way for me to tell this particular story, and partly because it isn’t often addressed in books. Kids think about this stuff, just as adults do, so let’s talk about it! To get more personal for a moment, I’ll add that including a spiritual element was also very true to who I am—and maybe who we all are. Don’t we all hope for miracles sometimes? Don’t we long for things that help us keep hoping, keep believing that we’ll be okay, that life will turn out all right? For me, ROOT BEER CANDY AND OTHER MIRACLES felt like the right place to explore these ideas.

Thank you so much for hosting me on your blog, Cindy. And thanks for the great questions! Wishing you and your readers an abundance of everyday miracles…

Check out ROOT BEER CANDY AND OTHER MIRACLES on Amazon here!