the holy midnight work

Canning peaches with Kate

It's hot here in the darkness; damp hair clings to the back of my neck, my clothes feel oppressive and close. The baby pressed against me is warm, a tiny sun who heats the room as we pace the floorboards, bouncing without pause. He arches his back and whimpers, miserable and restless, his nose stuffy and his hands twitchy.

He's not mine, of course. His mama sleeps a few rooms away, and I am only the fill-in, the relief effort. Still, the deep parts of my body remember this, the feel of a baby held just so, pulled tight against me to soothe the restive kicking, the way his arms keep jerking a few minutes after he's finally fallen asleep, his body fighting even after the battle is lost.

It's still in the house: only the two of us are up and moving, locked into our little dance. Iron & Wine plays quietly in the background. My thoughts are slow and centered. I am present in this midnight moment in a way I'm so often not in the sunlit busy ones.

Sometimes it sneaks up on me, this unexpected holiness. Sometimes, in the in and out sandwich-making shoe-finding swing-pushing minutiae of mothering, I forget what mothering really means: Holding another soul in my arms, being the buffer between her and the world as she learns to navigate everything from the proper use of a toilet to the complex and overwhelming universe of her own emotions.

Sometimes I'm so overwhelmed myself that I can't feel the holiness at all—but still, it's there, creeping up on quiet baby-bouncing nights to remind me that oh, this work is deep and wide and sanctifying.

There is much to mothering: to mother is to teach, to discipline, to do strings of endless physical laundrydishescleaning tasks that extend into eternity. But I think, in these quiet hallowed moments where morning is closer than midnight, that really mothering comes down to this: being there open-armed, ready to hold space for the sick baby who can't sleep, the panicked preschooler who can't stop sobbing. Holding them here in the darkness, the warmth of their skin on ours. Whispering over and over: It will be okay. It will be okay.

Finally, as Elizabeth Mitchell croons to the gentle hum and wail of a harmonica, the baby in my arms falls into sleep, his mouth soft and slack, his breathing loud and congested. I sink into the couch, let my own eyes close.

I don't often feel the holiness in this work that is motherhood, I think as the stillness enfolds me. I don't always see it.

Still, it's always there.